Amazon.co.uk Review 　　Ah-Ha! In 1995 Norwich's most famous son Alan Partridge made the transition from radio to TV with Knowing Me, Knowing You, a chat-show so wholly misunderstood that one clever-clog TV critic described it as "moribund". By way of rebuttal, just consider Alan's parade of fantastic guests, including a hypnotist who persuades Alan that he's an owl; a US pop diva with whom Alan shares a memorable Abba duet that happens to be in all the wrong keys for him; raunchy male dance-act Hot Pants; Cirque des Clowns, whose extreme violence upsets Alan; and, most exciting of all, Roger Moore (via mobile phone from a traffic jam on the Chiswick roundabout). 　　Steve Coogan's creation fell on hard times later--as chronicled in the magnificent I'm Alan Partridge Series 1 and Series 2--but here he's revelling in his prime-time exposure with no thought of becoming "clinically sad" or gorging on Toblerone bars. Co-writers Armando Iannucci and Patrick Marber lovingly recreate everything that's fake and contrived about the whole chat-show genre: the shameless plugging, the recalcitrant celebs, the novelty acts and, most of all, the insufferably smug host oblivious to his own tediousness. Coogan's regular guests are ably played by some faces familiar from The Day Today: Rebecca Front, Doon MacKichan, David Schneider and Patrick Marber himself. Other game guest stars are John Thomson (as a naval officer also called Alan Partridge) and Minnie Driver (as a transsexual agony aunt), not forgetting Steve Brown as disconcertingly gay music director Glen Ponder. 　　The high-water mark of Alan's career arrived with his Christmas special Knowing Me, Knowing Yule in which his own living room was lovingly recreated at Television Centre. Unfortunately, and despite the presence of Mick Hucknall, the new Chief Commissioning Editor of BBC TV, Tony Hayers, is deeply unimpressed with the show and gets punched in the face by Alan, who, it turns out, is handy with a turkey. On that bombshell, Alan's career took a downward turn.

Amazon.co.uk Review 　　Ah-Ha! In 1995 Norwich's most famous son Alan Partridge made the transition from radio to TV with Knowing Me, Knowing You, a chat-show so wholly misunderstood that one clever-clog TV critic described it as "moribund". By way of rebuttal, just consider Alan's parade of fantastic guests, including a hypnotist who persuades Alan that he's an owl; a US pop diva with whom Alan shares a memorable Abba duet that happens to be in all the wrong keys for him; raunchy male dance-act Hot Pants; Cirque des Clowns, whose extreme violence upsets Alan; and, most exciting of all, Roger Moore (via mobile phone from a traffic jam on the Chiswick roundabout). 　　Steve Coogan's creation fell on hard times later--as chronicled in the magnificent I'm Alan Partridge Series 1 and Series 2--but here he's revelling in his prime-time exposure with no thought of becoming "clinically sad" or gorging on Toblerone bars. Co-writers Armando Iannucci and Patrick Marber lovingly recreate everything that's fake and contrived about the whole chat-show genre: the shameless plugging, the recalcitrant celebs, the novelty acts and, most of all, the insufferably smug host oblivious to his own tediousness. Coogan's regular guests are ably played by some faces familiar from The Day Today: Rebecca Front, Doon MacKichan, David Schneider and Patrick Marber himself. Other game guest stars are John Thomson (as a naval officer also called Alan Partridge) and Minnie Driver (as a transsexual agony aunt), not forgetting Steve Brown as disconcertingly gay music director Glen Ponder. 　　The high-water mark of Alan's career arrived with his Christmas special Knowing Me, Knowing Yule in which his own living room was lovingly recreated at Television Centre. Unfortunately, and despite the presence of Mick Hucknall, the new Chief Commissioning Editor of BBC TV, Tony Hayers, is deeply unimpressed with the show and gets punched in the face by Alan, who, it turns out, is handy with a turkey. On that bombshell, Alan's career took a downward turn.

Made with the unprecedented cooperation of The Los Angeles County Coroner's Office, this extraordinary film takes you behind the closed doors of the autopsy suite and into the pathologist's inner sanctum.

影像以追尋Olonyok（Tano Bora 獵豹兄弟組合團員）為引子，以追尋它的蹤跡而展開的保育園區田野紀錄。創作者以追隨者的角度，直觀且視觸地連動出原野中動物的行動痕跡。從而延展出景框以外動物的棲息場域、人與動物關係的延展討論，也由此直觀的視觸野生動物的命運狀態。 　　The Tano Bora, meaning ‘The Magnificent Five’ in Swahili, was the famed cheetah coalition here in the Masai Mara—captivating observers with their stealth, strategy, and striking beauty. The artist follows one of the cheetahs from the perspective of a follower, intuitively and visually connecting the traces of movement in the wilderness. The body image is used as a means of creation to extend the habitat of the animals beyond the frame. In this way, the cycle of "life and death" is explored, thus visually touching the traces of the fate of wild animals.

A short film about a teenage boy’s first meeting with his estranged father.

Unprecedented Longing is an honest coming of age film about two boys searching for their identity and love, in which making music plays a central role. An ode to nonverbal communication and unspoken longing and affection.

"There's a better life waiting for us. Who? Somebody else... Where? Somewhere else..." Brand New-U is a highly unconventional romantic thriller: an obsessive love story stripped down and re-arranged into the looping logic of a nightmare. It tells the story of a man - SLATER - who pursues the woman he loves - NADIA - through a series of parallel lives

世界正在生病，世界濒临灭亡！地球资源的消耗速度远超再生速度。我们需要重新思考如何减耗、再利用、资源回收，最终重建我们生活耗能的模式。如果我们想要更加可持续性地生活，仅仅提高资源利用率是不够的，是时候团结起来，一起改变我们在地球上的生活方式了，我们现在需要去探索出一种能够满足我们的需求，使我们变得更好的新发展模式，而不必蹂躏孕育我们的星球。

该剧以2015年北京申办2022年冬季奥运会成功为历史背景，讲述了“北冰南展”浪潮中，轮滑少女陈冕决定以短道速滑为自己的事业目标，从一个非专业选手，一路过关斩将，最终进入国家队成为主力队员，出征冬奥赛场、为国争光的故事。

百米冠军吴添翼（李昀锐 饰）为解开无法战胜老飞人郝超越（郑恺 饰）的心结而返乡，不料郝超越早已沉沦，逃避最爱的跑步事业，更处心积虑利用吴添翼谋利。师兄弟二人的较量从回忆中的跑道延伸进现实生活，历经误会和冲突，最终冰释前嫌并互相治愈······